As is becoming my custom, I am now going to write something silly about something I just read/viewed that I don't get to use for school. This time the object is the His Dark Materials trilogy by Philip Pullman (thank you Mike; I'll bring them back to Spokane now that I'm done so they can be passed on to the next reader). As always, I will spoil some plot details.
Now I will always have trouble reading fiction that is both highly recommended and not yet "literature," because I am a pretentious ass. However, I am not so far gone that I cannot recognize a good thing when I see it, even while I may become frustrated with nagging flaws of either style or detail. His Dark Materials is a successful text in a genre that is entirely too small: atheist youth literature. Even in the more secular corners of our large nation, there are great numbers of people who believe that deliberately raising your children to be atheists is dangerous or wrong, even if these same people are often willing to admit that being both atheist and moral as an adult isn't terribly difficult. Because the false link between religion and morality is so forcefully forged, there is a certain unease at the prospect of not teaching children to believe in god from the get-go. (And incidentally, we ought perhaps to be skeptical of any truth that requires years of youthful repetition--not exploration--adequately to take hold. What I mean by this in part is that the strength and beauty of religion is in its absurdity and novelty; habituation robs it of even this.)
So since, from one point of view, the grounding moment of Pullman's trilogy is the disruption of Christianity's claim to moral priority, the books are valuable, even if only for this. However, Pullman's motive is not only negative; there is an affirmative element as well. I think St. Paul is whom he sites when he bases his model for the constitution of the human on a three-part structure. Rather than the normal body/soul dichotomy, it is useful (for the plot particularly) to extend this to a third element: body/soul/spirit. We might distinguish the second from the third through consciousness; by spirit Pullman seems to mean something that includes mind. Regardless, though, of how soul and spirit partition the immaterial aspects of humanity, Pullman makes clear, especially in the third book, where his model for the universe is fully revealed, that the body--the material existence of humans--is the best and most enviable element. (Indeed it is what drives God and his angels to subjugate humanity...though it's not quite clear why they stop there, and leave other material beings to their business.)
This is, to my mind, the most successful aspect of Pullman's books. It is particularly in the treatment of the body that Christianity is problematic, and easily accessible books that challenge this dogma both directly and positively--that is, by offering alternative ethics--are most welcome. (It is worth noting, though, that a great deal of the Christian/Catholic dogma against the body stems as much from Plato and Aristotle as it does from the Bible. There is some very good, if confusing, work done by a number of feminists--and non feminists--on how Plato's philosophy, and later that of Aristotle and Plotinus, has hamstrung our ability to think maternity and womanhood, and by extension humanity generally, in a non-violent way. But I've commented on much of that already, and will avoid the side track for now.)
I do have some problems with these books though, as I hinted at above. Some are trivial (there are abundant flies at the north pole), some are narrative (would you really not spend all your time checking the alethiometer? and why did neither side manage to score some A-10 Warthogs or something?), some are somewhat metaphysical (if Metatron--really? his name is Metatron?--used to be Enoch, which Enoch? did all Christian worlds split off from one another after Enoch dies? Then why are there daemons in the Adam and Eve story? etc.), but there is a looming one that is ethical.
When I got to the end of The Golden Compass, I was excited at the prospect that lay ahead. It seemed clear that Pullman was driving toward a world view where the priority of the church--who was locally stifling research into multi-world science much as it had heliocentricity--would give way to free thinkers, and that the authority from which it derived its dominion would be revealed as false. Pullman did go this direction more or less, but he swerved into the sort of humanism that I find suspect. Instead of the sort of purposeless, beautiful universe we ourselves inhabit, Lyra et al. gradually discover themselves to be traveling through a universe with as much divinity and purpose as supposed by the church; the only difference is what the purpose is.
So it turns out that God is really just an angel, he didn't create the universe, and he is so dreadfully jealous of humanity's flesh that he has waged a thousands years war of oppression and suppression to make us all as miserable as he is. Behind this, forces have been at work to overthrow this Authority--these are the dark materials?--and allow us to love each other in peace. The problem, then, is not that we worshiped a false god, but that we worshiped the wrong god.
Now I don't have a problem with this from certain narrative perspectives. If we accept the proposition that there will always be someone who has some authority over our lives (and there likely will be) it is better for us to expect that person to respect our loves and lusts; then we can fight for having repressor and oppressors replaced. But, from a religious perspective (let's call it that for now), I am uncomfortable with the argument that this authority is metaphysical--that is, above physically observable experience--and universal. So long as we are teaching our children to face the universe bravely, we ought to help them toward imagining a world of purposeless purposiveness. Instead Pullman replaces an autocracy of repression with an autocracy of love. An improvement, surely, but not perfect.
And this is how I feel about the books in general. An improvement. I'm still not perfectly happy with the gender roles (though I LOVE Mary Malone, and I particularly love that at no point does Pullman make her single status seem at all a failure or inadequacy), though again, it is an improvement. The principal protagonist--and for quite a while the principal antagonist as well--is female, and for the most part she avoids stereotypes, though perhaps by unhappy coincidence she is the artful liar, while Will is stalwartly honest. It is also maybe coincidental that she had the enigmatic and endlessly complicated compass while he had the knife. It would be terribly difficult to write a convincing adventure story with a boy and a girl where the girl is the physically dominant one throughout. Like I said, it's an improvement.
Finally, I will say I wish someone else had written these books. In spite of the well-crafted plot and generally agreeable characters, I found that more often then usual, I would grow sleepy and, in the middle of a suspenseful moment, indifferently put the book down and get ready for bed. His prose does not move with much grace, and much like myself he is prone to repeating himself in what he surely thinks is a clarifying gesture, but what is in fact boring and distracting.
But do read these books, if you haven't...I think I've not spoilt them too much here. No more than if you read the back cover (those things should be illegal).
Thursday, February 11, 2010
Monday, January 4, 2010
Dances with shellfish.
Don't read this if you haven't seen District 9 and Avatar.
* * * * *
Sci-Fi might be lauded as the cinematic genre that lends itself most willingly and transparently to allegory, and District 9 and Avatar are certainly exemplary of this bias. Both films simplify, for the purpose of moralizing, one of the formative moments of the last five hundred or so years: the colonial encounter.
Both movies use non-humans to represent the dehumanization by the colonizer of the colonized. In District 9, the setting is a city dealing with a displaced population (we are led to think of the New World and the African diaspora). Every human we meet harbors some bigoted view of the prawns, ranging from open hatred to patronizing contempt. The journey ok the mentally-challenged protagonist traces the depth of this bigotry, as he is forced to rely upon those he can see only as dangerously incompetent and stupid. Bigotry's irrationality and potency take center stage in what is surely the movie's most irritating scene, where Wikus assaults Christopher Johnson, with the hopes of commandeering his ship and curing himself on his own. Our perspective beyond the screen makes Wikus's decision as abhorrent as it is stupid: Christopher Johnson is the only with any competence in flying, and the only one with any chance at all of knowing how to reverse Wikus's tranformation. Wikus, though, cannot see from this perspective, because he cannot overcome his epistemological barriers. For him, prawns are always inferior. It is not until he embraces his transformation--symbolized by him stepping into the prawn battle suit--that he can understand Christopher Johnson as an equal; until that point, he sees himself as the boss. The movie has an uncharacteristically sad ending; Christopher Johnson escapes, but his time in transit is much too long for cinematic gratification. In the mean time, district 9 is moved into a more efficient concentration camp. And while Wikus has overcome his bigotry, no one else has. (I will say that I enjoy how many technical points, particularly regarding the origin(s) of the prawns, are left unaddressed.)
Avatar is set much earlier in the history of colonialism, and keeps the relationship simple: the colonizers are landing on alien soil and extracting resources as cheaply as possible. The narrative relies on old fears of ethnic contagion (think Heart of Darkness) but deploys them with the liberal view of the white man as savior (think Dances with Wolves). While District 9 was concerned with the question of how different groups of people can live along side one another, Avatar is concerned with how greed ruins purity--in this view, the allegory of colonialism is an allegory for corporatism, which nowadays amounts to the same thing. The advantage lent by Sci-Fi is that the old liberal trope that mistakes the Indian for nature can be relieved of its racism: here the natives are verifiably connected to their ecosystem. The plot is driven by the blindness on the part of the colonizers, which prevents them from seeing Pandora in terms of anything but exchange value. This forges the epistemological barrier between the native population and the colonizers, with the latter (excepting our wise liberal surrogates) implacably decimating with no regard for efficiency or taste, and the former left unable to act at all. Like District 9, this barrier provides a dramatic climax: the gunships are fast approaching, the warning issued, and yet they do not flee. Why are they so stupid? you ask. Again irrationality signals difference. Unable to comprehend the essential differences between themselves and the human aggressors, the Na'vi cannot, even in the face of all evidence, believe the assault to be real, and still further they cannot conceive of it being successful. Even the choice to flee is not truly theirs to make. A full understanding of the destructive capacity of the human exchange value economy is not arrived at until Jake Sully wrests ownership of his body (his human body) away from corporate control. Once it has been spirited away to the Tree of Souls, he can claim his rightful place as the leader of a society that evidently is incapable of organizing itself against an imminent threat.
This movie ends happily though. The capitalists are run off, and the pure natives can continue to commune with nature. What is the moral we learn from this story? Perhaps that if the Native Americans really could commune with nature, we wouldn't be here to talk about it? Or maybe that Kevin Costner didn't do a good enough job sticking up for them?
* * * * *
Sci-Fi might be lauded as the cinematic genre that lends itself most willingly and transparently to allegory, and District 9 and Avatar are certainly exemplary of this bias. Both films simplify, for the purpose of moralizing, one of the formative moments of the last five hundred or so years: the colonial encounter.
Both movies use non-humans to represent the dehumanization by the colonizer of the colonized. In District 9, the setting is a city dealing with a displaced population (we are led to think of the New World and the African diaspora). Every human we meet harbors some bigoted view of the prawns, ranging from open hatred to patronizing contempt. The journey ok the mentally-challenged protagonist traces the depth of this bigotry, as he is forced to rely upon those he can see only as dangerously incompetent and stupid. Bigotry's irrationality and potency take center stage in what is surely the movie's most irritating scene, where Wikus assaults Christopher Johnson, with the hopes of commandeering his ship and curing himself on his own. Our perspective beyond the screen makes Wikus's decision as abhorrent as it is stupid: Christopher Johnson is the only with any competence in flying, and the only one with any chance at all of knowing how to reverse Wikus's tranformation. Wikus, though, cannot see from this perspective, because he cannot overcome his epistemological barriers. For him, prawns are always inferior. It is not until he embraces his transformation--symbolized by him stepping into the prawn battle suit--that he can understand Christopher Johnson as an equal; until that point, he sees himself as the boss. The movie has an uncharacteristically sad ending; Christopher Johnson escapes, but his time in transit is much too long for cinematic gratification. In the mean time, district 9 is moved into a more efficient concentration camp. And while Wikus has overcome his bigotry, no one else has. (I will say that I enjoy how many technical points, particularly regarding the origin(s) of the prawns, are left unaddressed.)
Avatar is set much earlier in the history of colonialism, and keeps the relationship simple: the colonizers are landing on alien soil and extracting resources as cheaply as possible. The narrative relies on old fears of ethnic contagion (think Heart of Darkness) but deploys them with the liberal view of the white man as savior (think Dances with Wolves). While District 9 was concerned with the question of how different groups of people can live along side one another, Avatar is concerned with how greed ruins purity--in this view, the allegory of colonialism is an allegory for corporatism, which nowadays amounts to the same thing. The advantage lent by Sci-Fi is that the old liberal trope that mistakes the Indian for nature can be relieved of its racism: here the natives are verifiably connected to their ecosystem. The plot is driven by the blindness on the part of the colonizers, which prevents them from seeing Pandora in terms of anything but exchange value. This forges the epistemological barrier between the native population and the colonizers, with the latter (excepting our wise liberal surrogates) implacably decimating with no regard for efficiency or taste, and the former left unable to act at all. Like District 9, this barrier provides a dramatic climax: the gunships are fast approaching, the warning issued, and yet they do not flee. Why are they so stupid? you ask. Again irrationality signals difference. Unable to comprehend the essential differences between themselves and the human aggressors, the Na'vi cannot, even in the face of all evidence, believe the assault to be real, and still further they cannot conceive of it being successful. Even the choice to flee is not truly theirs to make. A full understanding of the destructive capacity of the human exchange value economy is not arrived at until Jake Sully wrests ownership of his body (his human body) away from corporate control. Once it has been spirited away to the Tree of Souls, he can claim his rightful place as the leader of a society that evidently is incapable of organizing itself against an imminent threat.
This movie ends happily though. The capitalists are run off, and the pure natives can continue to commune with nature. What is the moral we learn from this story? Perhaps that if the Native Americans really could commune with nature, we wouldn't be here to talk about it? Or maybe that Kevin Costner didn't do a good enough job sticking up for them?
Monday, December 21, 2009
Writing
I got my first two chapters back from my advisor with annotations today. I'm now grumpy. I knew handing it in that there were some considerable problems. I knew the form was bad, and that the points were not reached with clarity or even always purpose; and I'm trying hard to bear these things in mind while I mull over his recommendations. I cannot help but think I've significantly diminished myself in his eyes. Ultimately that doesn't matter, since the final product will redeem me (or I won't get a degree, I reckon).
But as seems always to be the case lately, I went home and the first thing I read applied directly to my worries. Here is Adorno from the second section of Minima Moralia:
He goes on to make several more good points, and I'm a little happier knowing much of my poor writing is my fault, rather than a result of my faults; that is, I don't think this is a problem of inadequacy but a sort of inattention.
And I didn't say anything nasty in that whole post! :)
But as seems always to be the case lately, I went home and the first thing I read applied directly to my worries. Here is Adorno from the second section of Minima Moralia:
[epigraph:] "Where everything is bad it must be good to know the worst." --F.H.Bradley
Memento -- A first precaution for writers: in every text, every piece, every paragraph to check whether the central motif stands out clearly enough. Anyone wishing to express something is so carried away by it that he ceases to reflect on it. Too close to his intention, 'in his thoughts', he forgets to say what he wants to say.
No improvement is too small or trivial to be worthwhile. Of a hundred alterations each may seem trifling or pedantic by itself; together they can raise the text to a new level.
He goes on to make several more good points, and I'm a little happier knowing much of my poor writing is my fault, rather than a result of my faults; that is, I don't think this is a problem of inadequacy but a sort of inattention.
And I didn't say anything nasty in that whole post! :)
Wednesday, December 16, 2009
Goodness, two posts in one day is terribly unfashionable. I should wait an hour and a half.
I was talking to a brilliant friend of mine today about religion and lingering narratives. We talked about the problems with marriage, and the exchange economy that surrounds it, the pressure to conform and perform a gendered role, the appropriation of individuals in the interest of tradition, and, especially, the devaluation of lifestyles that do not involve participation in this sort of economy--whether by judicial force or personal choice. OK we didn't talk about all that, but it's all implicated in what we did discuss.
We talked about the mysterious pleasure of religious ceremony: the reverence of a cathedral, the community of the call to prayer, etc. It made me think of a cute song I had thought of posting without commentary. I initially decided against putting it up because I had little to add to it, and because I get a little trigger happy with the facebook links. With the added context of today's conversation, it seems more worth the time.
Now almost all my friends are non-theists, either because they've thought about it and feel it's the position that best lets them be honest with themselves, or because they have not thought about it and it is simply who they are. My coffee conversation is one of my few Christian friends, which face allows me the delightful opportunity to explore in dialogue experiences that I otherwise overlook. In spite of my recent ramblings on religion, I hadn't thought much of late on what role religion may still play in my life. Because I don't spend any time with Christians in a context that allows faith as an appropriate topic of conversation, I don't get asked why I celebrate Christmas.
Tim Minchin is Australian, so Christmas comes for him in the summer. He is also usually funnier than this:
I think this has something to do with why non-theists still have a stake in marriage, too. The mysterious community of ritual is not merely religious (anthropologically speaking, it casts religion in the light of an accidental appendage). Indeed, in addition to extending beyond the reach of religious discipline, it would too seem to surpass the proprietary structure of the traditional family. The ritual that Minchin sings about is a singularity of support, the bare trace of a religious experience stripped of its judicial baggage. If there is a thread of this in marriage, then there is some hope for divorcing that institution from its sordid past; better put, given this hypothesis, marriage in and of itself needs no help, it simply needs to be let free.
It surely goes without saying that so long as religion remains a negative theology it will not know how to do any good in this arena.
I was talking to a brilliant friend of mine today about religion and lingering narratives. We talked about the problems with marriage, and the exchange economy that surrounds it, the pressure to conform and perform a gendered role, the appropriation of individuals in the interest of tradition, and, especially, the devaluation of lifestyles that do not involve participation in this sort of economy--whether by judicial force or personal choice. OK we didn't talk about all that, but it's all implicated in what we did discuss.
We talked about the mysterious pleasure of religious ceremony: the reverence of a cathedral, the community of the call to prayer, etc. It made me think of a cute song I had thought of posting without commentary. I initially decided against putting it up because I had little to add to it, and because I get a little trigger happy with the facebook links. With the added context of today's conversation, it seems more worth the time.
Now almost all my friends are non-theists, either because they've thought about it and feel it's the position that best lets them be honest with themselves, or because they have not thought about it and it is simply who they are. My coffee conversation is one of my few Christian friends, which face allows me the delightful opportunity to explore in dialogue experiences that I otherwise overlook. In spite of my recent ramblings on religion, I hadn't thought much of late on what role religion may still play in my life. Because I don't spend any time with Christians in a context that allows faith as an appropriate topic of conversation, I don't get asked why I celebrate Christmas.
Tim Minchin is Australian, so Christmas comes for him in the summer. He is also usually funnier than this:
I think this has something to do with why non-theists still have a stake in marriage, too. The mysterious community of ritual is not merely religious (anthropologically speaking, it casts religion in the light of an accidental appendage). Indeed, in addition to extending beyond the reach of religious discipline, it would too seem to surpass the proprietary structure of the traditional family. The ritual that Minchin sings about is a singularity of support, the bare trace of a religious experience stripped of its judicial baggage. If there is a thread of this in marriage, then there is some hope for divorcing that institution from its sordid past; better put, given this hypothesis, marriage in and of itself needs no help, it simply needs to be let free.
It surely goes without saying that so long as religion remains a negative theology it will not know how to do any good in this arena.
Dresden Codak
I cannot adequately express my admiration for this author. No one else leaves me feeling quite so warm, yet I know I will have trouble sleeping tonight because of it. Here is his latest piece:
http://dresdencodak.com/2009/12/16/lantern-season/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+rsspect%2FfJur+%28Dresden+Codak%29
The rest of it is also well worth exploring. It is a very good idea to read the entire Hob series.
http://dresdencodak.com/2009/12/16/lantern-season/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+rsspect%2FfJur+%28Dresden+Codak%29
The rest of it is also well worth exploring. It is a very good idea to read the entire Hob series.
Saturday, December 12, 2009
OK, so years and years ago, back in my Santa Cruz days, an Indian artist called Panjabi MC had a song on the charts in the US called "Beware of the Boys." Jay-Z got ahold of it and did a few verses over it, and the first time I heard it was when my alarm went off at some obscene hour; I was in one of those hazes where you're half asleep and sorta dreaming whatever you hear.
What I thought I'd heard was Jay-Z blaming Ronald Reagan for September Eleventh (which is a pretty strong political statement, especially for a less political rapper like Hova). I was pretty jazzed, so I told a friend or two about how rad that was. Then when I heard the song later I never found section I'd heard when half asleep. I concluded that I must have completely dreamed it. After all, an NY mc as mainstream as Jay-Z isn't likely to start making aggressive claims about 9/11 only a year after it went down. So from then on I would tell people the funny story about how I dreamed Jay-Z hated Reagan.
Now I'm not sure if I just missed it every other time I heard the Jay-Z version of the song, or if it was censored on American Radio. I never bought the CD, and was never a particularly big Jay-Z fan, so it's possible I just never payed close enough attention at the right time to catch it. Pandora is using the full version, and I was taken aback to find that my dream was a reality. Here's a transcription of verse two found online:
What I thought I'd heard was Jay-Z blaming Ronald Reagan for September Eleventh (which is a pretty strong political statement, especially for a less political rapper like Hova). I was pretty jazzed, so I told a friend or two about how rad that was. Then when I heard the song later I never found section I'd heard when half asleep. I concluded that I must have completely dreamed it. After all, an NY mc as mainstream as Jay-Z isn't likely to start making aggressive claims about 9/11 only a year after it went down. So from then on I would tell people the funny story about how I dreamed Jay-Z hated Reagan.
Now I'm not sure if I just missed it every other time I heard the Jay-Z version of the song, or if it was censored on American Radio. I never bought the CD, and was never a particularly big Jay-Z fan, so it's possible I just never payed close enough attention at the right time to catch it. Pandora is using the full version, and I was taken aback to find that my dream was a reality. Here's a transcription of verse two found online:
Ma, I ain't gotta tell you but it's ya boy Hov
From the U.S., you just, lay down slow
Catch ya boy minglin' in England, nettlin' in the Netherlands
Checkin' in daily under aliases
We rebellious, we back home, screamin' leave Iraq alone
But all my soldiers in the field, I will wish you safe return
But only love kills war when will they learn
It's international Hov, I been havin' the flow
Before Bin Laden got Manhattan to blow
Before Ronald Reagan got Manhattan to blow
Before I was cappin' it then back before
Before we had it all day, poppin' in the hallway
Cop one offa someone to give you more yey
Yea, but that's another stor-ay
But for now mami turn it around and let the boy play (Jay)
Monday, November 23, 2009
A Healing Salve for my Temper
A website that you love as well as I prompted me to read up on the Salvation Army, courtesy of their own website.
Here is what they have to say about homosexuality:
One ought to expect that when an organization begins its commentary on homosexuality by claiming a positive view of sex that the remainder of the commentary will reveal just the opposite. I am confident that the contradictions in the above are clear enough for an attentive reader.
Here is an excerpt from their stance on abortion:
Neatly bundled, this passage carries all the apologies of sexism and the dislike for women as intellectual and moral beings. First, "the responsibility of conception": one does not ovulate with premeditation. Given the persistent efforts of christian organizations to limit access to birth control (for example, cutting funding to and protesting Planned Parenthood; and advocating for abstinence-only education), equating conception with responsibility--and limiting this, too, by physiological necessity, to the responsibility of women--is at best patronizing, certainly and flagrantly underestimates the complexity of pregnancy, and at worst constitutes a violent appropriation of the bodies of women by the church. This holds even if the Army does not itself actively discourage birth control; objective political reality denies any scrupulously made argument which equates responsibility to conception.
The second maneuver that acts to cut women off from agency with respect to their bodies is played softly here; while it is true that I may be over-reading, the point I would like to make here is surely applicable to other anti-choice arguments. We may notice that, after patronizing the woman whom they fully intend to speak for, she is directed to be sure to seek first the council of God and her family, pastor and doctor. Two of these people are men, one of whom likely doesn't exist and likelier still will not answer even the most sincere calls for help and advice, and the other is bound already to a dogmatic and unsympathetic refusal of consideration. The other two are surely great resources (I ought not to sell pastors short in advance, but I'm being polemical, so indulge me) and I would of course suggest to anyone considering (and I mean that term strictly) and abortion to turn to just such people for sought-after advice. But to suggest to know that a woman is incapable of deciding for herself what best to do with her body, after you yourself have already told her there is only one legitimate option (bearing the child) reveals the unspoken assumption that women--especially those irresponsible enough to have sex before first offering themselves up as a man's property, I mean getting married oops--lack the capacity for intelligent moral deliberation, and more specifically are stupid enough to hear you say "no never do this" and then take you seriously when you follow that up with "but if you want to anyway, be sure to ask for advice first" (This followup ought more properly to read: but be sure to give me enough time to guilt you into doing what you already have decided is wrong).
I recognize that my tone is a little strong; I'm cranky today and this is a good way to cheer me up. I will happily acknowledge that the Salvation Army has done a great deal to help a great many, and that the policy stated on their website is to aid even those whom they feel behave immorally (like by having sex with the loved ones you won't let them marry). There are surely better targets for my anger and frustration, and I will gladly indulge in being mean to them--I'm looking at you, Mark Driscoll, you misogynist, ignorant tool--and I apologize for making a charitable organization the object of my ridicule...though I'd be much happier if they'd also apologize for being bigots. The ethical dilemma, dear reader, is yours to resolve: do you withhold your funding on the grounds of principle, or do you compromise by funding the good actions of an unethical organization (we all pay taxes after all). I have the advantage of being too poor to worry about whom I give my money to.
Here is what they have to say about homosexuality:
Homosexuality
The Salvation Army holds a positive view of human sexuality. Where a man and a woman love each other, sexual intimacy is understood as a gift of God to be enjoyed within the context of heterosexual marriage. However, in the Christian view, sexual intimacy is not essential to a healthy, full, and rich life. Apart from marriage, the scriptural standard is celibacy.
Sexual attraction to the same sex is a matter of profound complexity. Whatever the causes may be, attempts to deny its reality or to marginalize those of a same-sex orientation have not been helpful. The Salvation Army does not consider same-sex orientation blameworthy in itself. Homosexual conduct, like heterosexual conduct, requires individual responsibility and must be guided by the light of scriptural teaching.
Scripture forbids sexual intimacy between members of the same sex. The Salvation Army believes, therefore, that Christians whose sexual orientation is primarily or exclusively same-sex are called upon to embrace celibacy as a way of life. There is no scriptural support for same-sex unions as equal to, or as an alternative to, heterosexual marriage.
Likewise, there is no scriptural support for demeaning or mistreating anyone for reason of his or her sexual orientation. The Salvation Army opposes any such abuse.
In keeping with these convictions, the services of The Salvation Army are available to all who qualify, without regard to sexual orientation. The fellowship of Salvation Army worship is open to all sincere seekers of faith in Christ, and membership in The Salvation Army church body is open to all who confess Christ as Savior and who accept and abide by The Salvation Army's doctrine and discipline.
Scriptures: Genesis 2:23-24; Leviticus 18:22; Mark 2:16-17; Romans 1:26-27; Romans 5:8; I Corinthians 6:9-11; I Corinthians 13; Galatians 6:1-2; I Thessalonians 4:1-8; I Thessalonians 5:14-15; I Timothy 1:15-16; Jude 7
One ought to expect that when an organization begins its commentary on homosexuality by claiming a positive view of sex that the remainder of the commentary will reveal just the opposite. I am confident that the contradictions in the above are clear enough for an attentive reader.
Here is an excerpt from their stance on abortion:
It [The Salvation Army] is opposed to abortion as a means of birth control, family planning, sex selection or for any reason of mere convenience to avoid the responsibility for conception. Therefore, when an unwanted pregnancy occurs, The Salvation Army advises that the situation be accepted and that the pregnancy be carried to term, and offers supportive help and assistance with planning.
The Salvation Army recognizes tragic and perplexing circumstances that require difficult decisions regarding a pregnancy. Such decisions should be made only after prayerful and thoughtful consideration, with appropriate involvement of the woman's family and pastoral, medical and other counsel. A woman in these circumstances needs acceptance, love and compassion.
Neatly bundled, this passage carries all the apologies of sexism and the dislike for women as intellectual and moral beings. First, "the responsibility of conception": one does not ovulate with premeditation. Given the persistent efforts of christian organizations to limit access to birth control (for example, cutting funding to and protesting Planned Parenthood; and advocating for abstinence-only education), equating conception with responsibility--and limiting this, too, by physiological necessity, to the responsibility of women--is at best patronizing, certainly and flagrantly underestimates the complexity of pregnancy, and at worst constitutes a violent appropriation of the bodies of women by the church. This holds even if the Army does not itself actively discourage birth control; objective political reality denies any scrupulously made argument which equates responsibility to conception.
The second maneuver that acts to cut women off from agency with respect to their bodies is played softly here; while it is true that I may be over-reading, the point I would like to make here is surely applicable to other anti-choice arguments. We may notice that, after patronizing the woman whom they fully intend to speak for, she is directed to be sure to seek first the council of God and her family, pastor and doctor. Two of these people are men, one of whom likely doesn't exist and likelier still will not answer even the most sincere calls for help and advice, and the other is bound already to a dogmatic and unsympathetic refusal of consideration. The other two are surely great resources (I ought not to sell pastors short in advance, but I'm being polemical, so indulge me) and I would of course suggest to anyone considering (and I mean that term strictly) and abortion to turn to just such people for sought-after advice. But to suggest to know that a woman is incapable of deciding for herself what best to do with her body, after you yourself have already told her there is only one legitimate option (bearing the child) reveals the unspoken assumption that women--especially those irresponsible enough to have sex before first offering themselves up as a man's property, I mean getting married oops--lack the capacity for intelligent moral deliberation, and more specifically are stupid enough to hear you say "no never do this" and then take you seriously when you follow that up with "but if you want to anyway, be sure to ask for advice first" (This followup ought more properly to read: but be sure to give me enough time to guilt you into doing what you already have decided is wrong).
I recognize that my tone is a little strong; I'm cranky today and this is a good way to cheer me up. I will happily acknowledge that the Salvation Army has done a great deal to help a great many, and that the policy stated on their website is to aid even those whom they feel behave immorally (like by having sex with the loved ones you won't let them marry). There are surely better targets for my anger and frustration, and I will gladly indulge in being mean to them--I'm looking at you, Mark Driscoll, you misogynist, ignorant tool--and I apologize for making a charitable organization the object of my ridicule...though I'd be much happier if they'd also apologize for being bigots. The ethical dilemma, dear reader, is yours to resolve: do you withhold your funding on the grounds of principle, or do you compromise by funding the good actions of an unethical organization (we all pay taxes after all). I have the advantage of being too poor to worry about whom I give my money to.
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