Update

I'm reading the beginning of Meyer's Minimalism: Art and Polemics in the Sixties. He points out something I should have been much more careful about in the recent past. I've been busy defining the boundaries of minimalism, attempting to establish a base from which to draw a comparison to minimalist musics of various stripes. Instead, I need to pay much closer attention--and starting with Meyer's book will help--to the relationships between specific minimalist artists and specific composers. This is good and bad. On one hand, it will require a much more detailed understanding of art history. On the other, it will require much less philosophical theory.